Yearly Archives: 2007

Allianz Arena, Munich

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The Swiss architects Herzog and de Meuron designed the Allianz Arena with its unique diamond-shaped illuminated outer facade, chancing between red, blue and white. More than 25,000 long-life fluorescent tubes enable the impressive illumination of the Allianz Arena.

The Allianz Arena logos are mounted on the north and south side of the arena. In a length of 39.83 meters and an absolute height of 5.18 meters, the twelve in blue and white lighted Allianz Arena letters are Europe’s biggest illuminated promotional lettering. The fascinating appearance turns the Allianz Arena into Europe’s state of the art stadium.

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spectr|a|um _ audiovisual lounge – Nuit blanche Brussels, 29.09.2007

spectr|a|um offers a night with audiovisual performances and visual art on the 145 m high Dexia Tower, from which 4200 windows will be enlightened by internationally renowned musicians and artists, taking place on Place Rogier’s urban lounge and Dexia Tower.

Line-up:

via LAb[au]

Dear Guests and Speakers of Media Architecture 2007,

On behalf of the team of organisers I’d like to thank you for having spent two great days with us. It was mainly your contributions, questions and comments that made it a success.

In the next days and week we want to provide more documentation material of the conference and of course we keep on posting projects and news in the field of Media Architecture.

There have been a lot of new projects in the presentations but also during the coffee brakes, that are waiting for being referenced here.

If you have the impression that a certain project is missing here please send me an e-mail: gt[at]realitylab.at or use the “Suggest a project” button.

I hope you have enjoyed the conference,
Let’s keep in touch,

Media Architecture Conference 2007

On 11th and 12th September Media Architecture 2007 will take place at Central Saint Martins Innovation in central London. Organised by Media Architecture Group in Vienna, the conference will bring together international speakers from the architecture, planning and media communities for the first time to address the increasing integration of new display technologies for building construction. The huge impact of this development for building design and the urban environment will be explored from both theoretical and practical implementation perspectives by leaders in the field. The conference takes place at the same and is co-organised with PLASA, the international lighting exhibition at Earls Court, London.

Speakers & curators include:
Joachim Sauter, Bart Lootsma, Ludger Hovestadt, Realities United, Andrew Shoben, Kari Jormakka, David Cunningham, Mark Dorrian, Hermann Eisenköck, Patricia Austin, Tim Pritlove, Peter Cornwell, Kathrin Kur, Andreas Rumpfhuber, Oliver Schürer, Mirjam Struppek, Jim Thrower, Gernot Tscherteu

More info can be found [here].

Kubik, Berlin

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Illumininated cubes, visuals, electronic Beats: Three components of which the new open air club Kubik consists. Already from a distance the bright installation can be seen, located near the east station. It is based on the concept „Big tank“ for which dozens of conventional 1000 litre water tanks have been arranged to a temporary installation.

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Bayer Tower, Leverkusen

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The Bayer Tower in Leverkusen is not gona be demolished, but will resplend in new light – not any more as an office building, but as an ultramodern media facade. The Bayer AG plans the transformation of the former company center into a far away visible media sculpture and wants thereby to create a up-to-date visualization of Bayer at the head office of the enterprise. The 122 meters high office tower will be used by Bayer as an impressive communication instrument. The completion of the new media facade is intended for spring 2009.

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WIKA, Paris

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WA is a site-specific video installation created for Knoll International by Gabriel Winer and Dana Karwas. Large-scale architectural projections turn the existing seventeenth century facade into a drive-by cinema and pedestrian spectacle. Playing with a unique two-screen format, the movie re-imagines the story of the company’s founders, how they discovered a minimalist approach to design, and came together to create the modernist symbol that Knoll is today.

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