• catalog
• photos
• videos

on the [documentation page].

via/by: innovationsforum.publicartlab-berlin.de

MAB 2010 is a production of the MAI – Media Architecture Institute, Vienna

via:bits.blogs.nytimes.com

A happy and successful year 2011 to all our readers and supporters!

The text can be downloaded with pictures here.

http://largedisplaysinurbanlife.cpsc.ucalgary.ca/

The goal of this one-day CHI 2011 workshop is to cross-fertilize insights from different disciplines, to establish a more general understanding of large interactive displays in public urban contexts, and to develop an agenda for future research directions in this area. Rather than focusing on paper presentations, this workshop aims to trigger active and dynamic group discussions around the following topics:

Beyond Playful Interaction

A number of studies found that large display installations invite for playful interaction but often fail to convey meaningful experiences related to content. This raises the following questions:

* How can we design installations that endure people’s attention past the initial novelty effect and direct the interest toward the content?
* What design strategies can be applied to promote an active individual and social exploration and discussion of the presented information?

Character of Interaction

A number of interaction techniques have been explored for large displays in public spaces ranging from interaction via cell phones, to direct-touch or full body interaction. We would like to discuss:

* How do different interaction methods shape people’s experience of large display installations in urban spaces?
* How do interaction methods differ from each other in terms of triggering interaction and engagement with the presented content?

Evaluation

Different quantitative and qualitative methods have been applied to evaluate people’s experience and use of large display installations in public spaces. During the workshop we would like to discuss:

* How can we evaluate the “success” of large display installations in urban spaces?
* How can particular aspects of public large display installations such as engagement be evaluated?
* What kind of evaluation methods are most effective in different progress stages (design phase/installment phase)?

We see this workshop as an opportunity to start thinking about a general framework that can inform the design and evaluation of large interactive displays in different urban contexts. With a diverse research community present at the workshop we hope to come up with an agenda for future research directions in this area.
=======Submission details==========

Submit a position paper (maximum 4 pages) to largedisplaysinurbanlife@gmail.com by January 14, 2011 using the CHI extended abstract format. The paper should describe experiences, works in progress, or theories around designing and/or evaluating large interactive displays in public urban settings. We plan to explore approaches and insights from different disciplines to this topic so submissions from art, architecture, design, HCI, media theory, and social science are highly encouraged. We welcome all methodological approaches and techniques centered around the topic of large interactive displays in urban life.

At least one author of each accepted position paper needs to register for the workshop and for one or more days of the CHI conference itself.
======= Organizing Committee ===========
* Uta Hinrichs, University of Calgary
* Nina Valkanova, Universitat Pompeu Fabra, Barcelona
* Kai Kuikkaniemi, Helsinki Institute for Information Technology
* Giulio Jacucci, Helsinki Institute for Information Technology
* Sheelagh Carpendale, University of Calgary
* Ernesto Arroyo, Universitat Pompeu Fabram, Barcelona

=======Schedule===========
Submission Deadline: January 14, 2011
Notification of acceptance: February 11, 2011
Workshop: May 7 or 8, 2011 (final date to be announced)

=======Links=============

http://largedisplaysinurbanlife.cpsc.ucalgary.ca/

Mr Helmut Bien initiated the Luminale back in 2000 and realized the festival for the first time in 2002. The Luminale – Biennial of Lighting Culture is an international festival of lighting culture taking place every two years in Frankfurt am Main and the entire Rhine-Main region.

1. Mr. Bien, the Luminale is already a well established institution in the
area of light art.  Can you tell us about the origins of the festival?

In 2000 the lighting industry tradeshow moved from Hannover to Frankfurt.
Michael Peters from Messe Frankfurt asked me for an event concept that
should connect the city of Frankfurt with the new tradeshow called Light +
Building. For the days of the fair Frankfurt should become the meetingplace
for the whole world working with light. Not only the specialists and the
industry but also the creative people, the architects, designers and artists
and also the inhabitants and normal consumers should be involved. The idea
was to create a transdisciplinary festival about lighting and energy and the
qualities of urban living. Frankfurt should become a laboratory to see a
wide range of approaches with light.

 2. How did you personally came in touch with light art and what motivates
you to take all the effort to organise such an event?

In the late 80ties i worked in Berlin as a curator (Berliner Festspiele) and
in this time i made my first professional experiences with light, the
scenographic power of lighting. The idea to realize an exhibition about
lighting followed me since these days. Luminale was the chance to show this
power of light to change atmospheres and to re-organize spaces. I am a
little bit romantic in the classical sense of the poet Novalis. He explained
that the romantic idea is to give normal things a new and higher meaning.
Lighting design gives us the possibities to enchant the world. My friends of
the scenographic agency Skertzò in Paris called themselves 'engineers of
dreams'. That is also my personal motivation. And on this way i am enjoying
it to discover people, engineers, designers, artists who are working on the
same project. That creates the spirit of Luminale.

 3. Compared to other light festivals, what do you think makes the Luminale
a unique event?

Since 2002 when we started the first edition of Luminale, it is a great
success. A lot of people tried to copy the concept of the festival. Some of
these festivals are important for the local people, some are made to promote
the tourism, but the unique position of Luminale is the combination with the
most important trade fair of the lighting industry. Luminale is the festival
for the specialists and the local people. Luminale is well-known in the
worldwide community of lighting enthusiasts and specialists. So Luminale is
a pole position for careers of younger designers and artists. There are some
festivals much bigger than Luminale. But at the end of the day you have to
count the heads not the legs. Also Luminale is very popular but not a mass
consumption event with coloured buildings looking like sad clowns. The
unique combination with the trade fair gives Luminale the possibility to try
new technologies and approaches and to give a chance to the un-known. The
Media Facades Summit was such a project within Luminale.

 4. What are your plans for the Luminale 2012 in terms of content and size.
Is it still possible to top 2010?

The digitization of light is a fascinating subject. The storytelling with
light is a never ending challenge. Media Facades, Vjing, Projections are
great themes. On the other hand the questions of energy reduction, recycling
and sustainability. The third dimension is the development of the urban
life. The skyline and nightlife of Frankfurt are the stages of Luminale.

5. What are your biggest wishes and dreams for the long term development of
Luminale

The biggest wish is that Frankfurt and the whole region accept light as one
important dimension of its identity so that we can realize projects not only
for the short time of the festival. A masterplan for the whole region with
landmarks, light art, a green "balancity" which produces and consumes energy
in a way that enrichs the qualities of life.

A Big Thank You! to them!

Here are the final installations:

Luma Space

To celebrate London as a centre of design and innovation, the ‘Digital Architecture London’ Conference will take place at the Building Centre on 21st September 2009. Presenting a selection of London’s leading architects, artists, designers and engineers, the conference will examine how London is shaping the digital future of the built environment. Introducing the latest developments in digital design practice, the conference will explore new spaces, social interactions, design and fabrication processes, and speculate on architecture’s post-digital futures. DAL09 is directed by Ruairi Glynn with the support of London Digital Week, The Building Centre, Arup & The Bartlett School of Architecture.

via:interactivearchitecture.org, digital-architecture.org