Challenging questions: How can we make social, environmental and inter-cultural processes visible and use the screens as black boards and visualization zones? What is the impact on the society, when invisible structures that underlie our daily life get visualized? What is the potential to create public awareness?
Call for proposals for the visible city 2015
Our today’s modern cities are hybrid structures in which technology is invisibly interwoven in the perception layers of our everyday lives. With the curatorial theme of InVISIBLE and VISIBLE Cities we want to develop an awareness on the changes which are hardly visible to the eyes and are underlying our nowadays cities.
We call for artistic scenarios to visualise invisible, embedded ‘smart’ urban infrastructures and analyse their impact on the technological transformation of our society in a broad and public discourse.
He thinks that the field has had a great evolution over the years and he sees the spaces for academic reflection on media and architecture as a great complement for the Biennale. “We have, I think, managed in a very good way to bring the traditional Media Architecture Biennale and introduce a few new things. I think the academic track, the doctoral consortium and the papers are really, -really- a plus for this field”.
The MAB14 promises to be even more interesting as Aarhus will be the European capital of culture in 2017. The city is already getting ready for such an event and the visitors of the MAB14 will have a glimpse into that process. “There will be a really intensive process here with urban installations over the next couple of years”.
The registration for the MAB14 is now open. We are looking forward to seeing you at the MAB14!
According to him communication and information technologies were optional, and most of the people still had the possibility to opt-out of using them. With the increasing deployment of technologies in the city -as for example media facades- this option is waning and life in the cities is becoming more and more digital.
Such development still needs to be understood with a mix of competences that take into account the architectural aspects as well as the technological challenges related to it. “Media architecture is this wonderful and scary mix of traditional architecture competences, skills and problems – and something completely different.”
Ava Fatah and Peter are also the conference chairs for the MAB14. This year 39 papers from 23 different countries were submitted. We are looking forward for the 2014 conference!
The perception of each spectator is unique because the sounds reproduced by the cylinders will change depending on to the position of the person. This characteristic encourages the people to walk around, jump towards or even hug the cylinders. If enough people is engaging with the installation a complete musical work will be slowly assembled. To create the piece played by the tangible orchestra both electronic and classical orchestra instruments were used, creating interesting contrasts that fluctuate between electronic, repetitive rhythms and the melodies of classical instruments.
Watch a video of Tangible orchestra…
The blue, waving animations shown at the building, are programmed by the artists to react to local weather conditions like wind speed and direction. These animations will change their dynamics and their color when the twitter hashtag #homelessness accumulates a number messages. Thus, anyone with a twitter account can interact with the animations through the account @itat2014 or by creating and re-twitting messages that include the mentioned hashtag. The website of the project intheairtonight.org also shows the interactions through a dynamic background that mimics the animations of the facade.
Vivid Sydney, the largest festival of its kind in the Southern Hemisphere, came to an end recently. With its 60 light sculptures, which span large-scale projections to grassroots LED installations, the festival represents an important contributor to the media architecture movement. For the first time this year, the Media Architecture Institute was one of the supporters for a centerpiece installation that used a range of lighting and interactive sensor technologies to create a unique visitor experience. The installation with the title Chromapollination is an interactive light sculpture that reclaims a neglected urban space in Sydney’s Central Business District transforming it into a playful and inviting city organism. Giant glowing dandelions are sprawling from cracks in the concrete to project colour and motion onto and around passersby and festival participants. The dandelions react to their environment – passersby generate a digital wind that gently caresses the tops of the flowers. As force builds, the ‘seeds’ break off and transverse across a light ceiling.(more…)